Adrian O’Connell was born Derry, N. Ireland and received a B.A. (Hons) in Fine and Applied Art in 1998 from the University of Ulster, and a MFA in 2000 also from the University of Ulster.

Utilising mixed media, O’Connell creates video and sculptural installations that examine the human condition.

Through the amalgamation of video juxtaposed with multiple objects predominantly selected for their historical, cultural, and political metaphors, his installations explore the complex associations between the object and its meaning. The focus of his practice has been in response to the ever-shifting political landscape of local and international affairs, by drawing attention to the effects imposed on society by decisions implemented by government. Whether cultural, social or economical, the aim of the work is to create a means of open debate and exchange, to develop a visual language to map adequately the values underpinning the search for resolution. His current work is of no exception, as he transforms paintings into critical social commentary in an era of globalization and a growing new world order. The paintings examine the current trend of information gathering. In particular, the recognisable barcode is metaphorically used to convey how one’s data may be collated to track one’s movements, patterns of spending and possibly even indicate, whom one may vote for.

His narrative film work, unless specifically made for the purpose of exhibition, shifts firmly into the world of cinema i.e. Nailed (2006) O’Connell’s feature directorial debut. Released and distributed on DVD through Image Entertainment USA (2007) and 20th Century Fox Home Entertainment Australia (2007).

O’Connell has exhibited internationally in Berlin, London and New York. He partook in the Sydney Fringe Festival 2011, The Belfast Festival at Queens 2012 and Eva International Biennial of Visual Art 2012. More recently: Exploring Spaces, 2015 The Braid Museum, Antrim, N. Ireland. Play, Record, Rewind, 2015 The Engine Room Gallery, Belfast, N. Ireland.